It’s been a while since I’ve blogged because I’ve been swimming lengthy edits through my novel (and still going), but on a rare day of coming up for air and doom scrolling through Facebook, a video popped up of Rick Astley talking about the making of the video for his smash track, Never Gonna Give You Up. It transpires it was a bit of a Heath Robinson affair with buying his own clothes for the shoot, self-choreographed dance moves driven by fear and locals shouting to turn the music down. He said the whole experience was ‘ridiculous’. However, I loved that video back in 1987 and would watch it at any opportunity when it was on Top of the Pops. I even had a poster of Rick from Jackie magazine in my room at South Bank Polytechnic. But he was a more than that. I admired the carefully styled quiffs for Rick, and even the actor Rupert Graves. This androgynous mix of cream macs, roll necks and wide leg jeans that cinched in at the ankle, was my staple in my first year as a degree s...
After the euphoria of graduating from my MA, I’ve had a massive dump of realisation that I have a novel to finish. To date, I have three more chapters to write, one of which is a zombie fight showdown, where … spoiler alert … one of my key characters snuffs it. There is also a gruesome dream sequence and a heartfelt scene that will have me weeping as I write it. I’m often asked why I write in the genre I find, personally, so frightening. Paul Tremblay, an American horror writer who is the master of creeping dread, openly admits he’s scared of everything, and because of that, he implants his fears into his novels. For me, it’s the fear of societal anarchy that feeds my dystopian horror. Growing up, I was a secret horror fiction fan, stashing them between my poetry library book loans long before I started wearing black. However, going to university, leaving London to work in Portsmouth, and then having a baby left me with little time to read fiction. It wasn’t until I joined th...